All posts by Nick Schlegel

Episode #12 – Interview with Ian Olney: Euro Horror Special

Episode #12
Ian
Join us in welcoming Ian Olney, Associate Professor of English at York College, to That’s a Wrap this week to discuss a particular brand of horror that many (even fans of the genre) are unfamiliar with: Euro Horror.  Ian discusses the origins of this movement in Europe, it’s key characteristics, major films and lack of scholarly attention.  Professor Olney’s book, Euro Horror: Classic European Horror Cinema in Contemporary American Culture,  is an utterly fascinating and highly significant contribution to the field.  Our own Nick Schlegel, also well-versed on the subject, joins Ian, Erik and Chris in a full-bodied exploration into all things Euro Horror.  With autumn closing in, you’ll not want to miss this Spook-tacular edition of That’s a Wrap!  A special episode for Nick as Ian’s work served as inspiration for his own forthcoming volume on Spanish Horror.

Buy the book!

Links Mentioned:
Director: Narciso Ibañez Serrador

Episode #10 – Special Guest: Robert Burgoyne

Episode #10

Bob

Our RATINGSPALOOZA podcast drops today with our very special guest, Robert Burgoyne, Chair of the Department of Film Studies at St. Andrews, Scotland. Bob’s work centers on historiography and film, with a special emphasis on American cinema, history and national identity, and the counter narratives of nation that have emerged in many films.  Recent books include Film Nation: Hollywood Looks at U. S. History: Revised and Expanded Edition and The Epic Film in World Culture.

Join us as we welcome Bob to the podcast Film Nationand discuss his background, current research, his reflections on teaching film over several decades, the differences between pursuing advanced film studies degrees in Europe and the U.S. and the state of cinema and cinema affairs.  We also discuss Bob’s fascinating take on Zero Dark Thirty for an article he has recently undertaken.  Be sure to drop us a review on iTunes today for our RATINGSPALOOZA extravaganza! 

 

 

Episode #9 – Back To School: Teaching Film & Man of Steel

Episode #9

Kane

We explore two lengthy topics in our 9th episode of That’s a Wrap!  Principal photography begins with part one of a two-part series on film pedagogy.  Erik, Nick and Chris discuss their various approaches to teaching film in past years, today and well into the future.  They discuss, among other things, the importance of visual literacy when navigating today’s media environment, how an understanding and appreciation of film history benefits an education and how unbridled enthusiasm goes a long way in generating student interest in films outside of their traditional comfort zones.  Part two will drop in a few months.

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In segment two (starting at 1:08), Erik and Nick discuss and debate their reactions to Zach Snyder’s Superman reboot, Man of Steel. To be sure, they each had different reactions!  Tune in to see which side of the debate you fall on!

 

 And, as mentioned in the show’s Pick Ups, Nick’s current project of framing his 3×5 autographs with their respective 8x10s inaugurated with Stefanie Powers. So, here’s Stefanie!

Stephanie

[NOTE: We had an error with the audio file this week, which is now fixed. If you listen on the site, it’s not problem, but if you downloaded it on iTunes prior to 8/11/13 at 4pm, you will have to do the following to get the full episode:

Simply delete the corrupted episode in iTunes. The episode is no longer listed. Then click the arrow to close the listing of this podcast. Click the arrow again now to expand it while holding the shift key. Then all the deleted episodes are listed and you can download it a second time. Sorry for any inconvenience.]

Links Mentioned:

AFI’s Discussion of why KANE tops their list again and again…

Un chien andalou

Un Chien Andalou from razielle Φ on Vimeo.

That’s a Wrap! Co-host, Nicholas Schlegel, Interviewed about his Forthcoming Book on Spanish Horror

Hello Everyone.

Nick Schlegel here with a link to a wonderful interview I participated in while I was recently in Manhattan for the Music & The Moving Image Conference  While there, my friends Eddie Samuelson and Eric Cohen of The Cinefiles and This is Infamous provided an evening of fine dining and libation–Brooklyn Roof-Top Style!  The result is the above interview about Spanish Horror Films and the Spanish film industry in general during the late 1960s and 70s when horror production surged tremendously during Spain’s new transition from dictatorship to democracy.  I hope you enjoy it half as much as I had making it.  My book is currently undergoing revisions and should see publication early next year.  🙂

Episode #6 – Linklater’s “Before Midnight” and Special Guests Mark Clark & Bryan Senn on their book “Sixties Shockers”

Episode #6

BEFORE-MIDNIGHT-stillsRichard Linklater’s “Before” Trilogy began in 1995 with his magical Before Sunrise, continued 9 years later with his entracte Before Sunset and on June 13th, 2013 we witnessed the release (also 9 years later) of the third installment: Before Midnight.  Join us as we discuss this beloved trilogy of films–their longevity, their impact and the spell that they have collectively cast over us.

sixties shockersAnd, in segment two, Nick interviews authors Mark Clark and Bryan Senn on their collaboration “Sixties Shockers: A Critical Filmography of Horror Cinema, 1960-1969.”  The authors discuss why they chose to undertake the massive project of canonizing this genre in this particular decade, the collaboration process and the possibility of another volume – Seventies Shockers?  Eighties Shockers?  Tune in!!

 

 

 

Links mentioned:

Chuck Tryon’s Review

The Up Series

Episode #5 – Film Adaptations: Our Favorites

Episode #5

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Robert Bloch’s “Psycho” – 1959 (1st ed.)

The translation process from page to screen is endemic to the industry and is of particular importance to the public when the source is a beloved and/or bestselling novel, novella or graphic novel. (Harry Potter, The Lord of the Rings, Little Women, A Clockwork Orange, The Da Vinci Code, Watchmen, 300, Gone With The Wind, Of Mice and Men, Les Miserables, Lolita, etc).  This adaptation process incurs tremendous (and often, misguided) debate as to what was ultimately “better” — the film or the novel, when in fact, comparison of these two very different mediums requires proper contextualization. Our mission in Episode #5 is to each list our favorite three adaptations from novel to screen and also provide a snapshot of what we think makes for an “effective” translation from one medium to another.

Theodore Roszak's "Flicker" (1st ed.)
Theodore Roszak’s “Flicker” – 1991 (1st ed.)

We also take some time to acknowledge some titles that we would love to see successfully adapted into motion pictures (or conversely, fear that they will be unsuccessfully adapted!).  In the case of Nick and Erik, a prime contender in this category is Theodore Roszak’s complex, ambitious and classically “oh-so-hard-to-adapt” novel about the very nature of cinema, 1991’s “Flicker.”  In the final summary, some things are lost in translation and some things are gained.  These are two very different mediums that are often measured commensurately.  When a literary source is adapted into a film, comparisons are inevitable, but in our estimation, it’s not which “version” is “better”, it’s more about whether the story is well-suited for its new cinematic interpretation and is the essence translated from one medium to another?

Links Mentioned:

The Journal of Adaptation

Gods and Monsters: a novel Nick has wanted to read based on the strength of the film:

 

Episode #4 – Film Noir with Special Guest David J. Hogan

Episode #4

That’s a Wrap! proudly welcomes author and historian David J. Hogan to discuss his new book Film Noir FAQ.

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In this episode we talk about film noir as a genre, as well as our favorite film and femmes fatales.

EDITOR’S NOTE: We had a small recording problem that will become evident towards the end of the episode. It sounds like Nick and Erik are talking over David, but this is an error in the recording software. Most of it is fixed, and it is still easily listenable; it simply sounds like we are being rude at times, when we are not.

From the Film Noir FAQ description:

Film Noir FAQ celebrates and reappraises some 200 noir thrillers representing 20 years of Hollywoods Golden Age. Noir pulls us close to brutal cops and scheming dames, desperate heist men and hardboiled private eyes, and the unlucky innocent citizens that get in their way. These are exciting movies with tough guys in trench coats and hot tomatoes in form-fitting gowns. The moon is a streetlamp and the narrow streets are prowled by squad cars and long black limousines. Lives are often small but peoples plans are big — sometimes too big. Robbery, murder, gambling; the gun and the fist; the grift and the con game; the hard kiss and the brutal brush-off. Film Noir FAQ brings lively attention to story, mood, themes, and technical detail, plus behind-the-scenes stories of the production of individual films. Featuring numerous stills and postersmany never before published in book formhighlighting key moments of great noir movies. Film Noir FAQ serves up insights into many of the most popular and revered names in Hollywood history, including noirs greatest stars, supporting players, directors, writers, and cinematographers. Pour a Scotch, light up a smoke, and lean back with your private guide to film noir.

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Nick’s Favorite Femme Fatale: Jane Greer

Episode #3 – The Top 5 TV Shows of the New Millenium and The Keanu Reeves Documentary: “Side by Side”

Episode #3

CLASSIC_TVRCA introduced television to the American public at the 1939 World’s Fair.  Since then, Philo Taylor Farnsworth’s invention has been invading homes (in every room imaginable and now, for some reason, refrigerator doors?) waiting rooms, bars, gas station pumps, and even above urinals…you name it.  Television is, quite simply, ubiquitous.  This ubiquity endowed TV with the power to unite us and also to bind common interests to vast television audiences. Whether it was watching Walter Cronkite announce that our 35th President of the United States had been assassinated, The Beatles on Ed Sullivan, The Apollo 11 Moon Landing, finding out who shot J.R. Ewing, Watching O.J. Simpson being chased by a fleet of cop cars or The September 11th Terroritst Attacks, we stood by by each other and consequently WITH each other as we watched.  

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Episode #3 of That’s a Wrap! devotes its first segment to the countdown of Erik, Nick and Chris’ Top 5 Television shows of the 21st Century!  Where do your favorites rate?  Did they make the list or get the fist?  We want to hear from you! Tell us where you think we got it right or where we got it wrong!  Be sure and register your VOTE in our below POLL. Feel free to write in your pick under “Other.”

In segment two, we discuss the recent documentary Side by Side, which frames the debate over digital cinematography versus traditional (photochemical) film. The film’s tagline, “Can film survive our digital future?” is our conversational starting point.  We all really loved this film – the trailer is below! 

Links mentioned:

Cinevent Movie Exhibition

Music & The Moving Image Conference

Dogme 95

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Episode #2 – Special Guest Chuck Tryon, The Streaming Wars and House of Cards

Episode #2

On Demand

The 21st Century has seen dynamic shifts in, and the rapid integration of, streaming Television and movie content via subscription and rental services offered by Netflix, Amazon Prime, Hulu, Vudu,Youtube, Flixster, et al. Netlfix launched their much-touted political drama House of Cards by releasing (in a bold move) all thirteen episodes simultaneously.  Following closely on the heels of this accomplishment is the forthcoming, and very long-awaited, resurrection of a true cult television phenomenon:  Arrested Development – which drops, in similar bulk fashion – May the 26th.  Episode #2 of “That’s a Wrap” discusses this changing Tele-Visual landscape for the 21st Century and the dynamicArrested-Development-Lucille-640x954 business models that shape it.  Joining us for this exciting discussion is author and professor Chuck Tryon.  We “wrap” about his new book “On-Demand Culture: Digital Delivery and the Future of Movies.”  We discuss the subject from a variety of perspectives and also take some time to register spoiler-free (and then later, spoiler-rich) opinions and critique on the first 13 episodes of House of Cards – which has generally received enthusiastic praise. Have an opinion on Netflix’s Original Series? Drop us a line and let us know!  And lastly, if you have a minute to spare, why not write us a review over at iTunes?

Links mentioned:

Jon Adams Graphic Design

Alamo Drafthouse & Texting 

Dr. Chuck Tryon – Fayetteville State University 

The Psychopath Test: A Journey Through the Madness Industry

Amazon Pilots